Pandora Langlais
Art crime/cultural heritage protection specialist and researcher in AI, Machine Learning and Deep Learning. Expert in Impressionist and post-Impressionist art. Provenance researcher and specialist in looted art cases. Master degrees in Art Market and Art History from the Ecole du Louvre and Sorbonne University in Paris and Master degree in Information and Communication Sciences from the CELSA-Sorbonne. Work experiences at the Wildenstein Plattner Institute (2018-2019), Artcurial Paris (2020) and on the EU-funded RITHMS project. Contributor to articles in the Journal of Cultural Heritage Crime, Journal of Art Crime, on the Wildenstein Plattner Institute website and on Hugging Face. Research on AI, more specifically at the moment on LLM/VLM. Studying the impact of AI and new technologies on the art world and provenance research. Author of a Master's thesis on the state of Impressionism in today's art market (Ecole du Louvre - 2020) and a Master's thesis on Claude Monet's first journey to the Mediterranean (under the supervision of Professor Pierre Wat - Sorbonne Paris I, 2019). Currently working on a book project.
